A - C
Park
“Pepper” Adams III – born Highland Park, MI-
10/8/1930, died New York City, 9/10/1986 – baritone sax
Pepper Adams |
Adams played with Kenny Burrell, Barry Harris and
Donald Byrd in his native Detroit in the 1950’s. Had lengthy partnership with
Byrd. Arguably top baritonist of hard bop era. 10 To 4 at the 5 Spot, (1958), Riverside.
Julian
“Cannonball” Adderley – Born Tampa, FL-9-15-1928; died
8/8/1975, Gary, IN – alto sax
In his home state, Adderley was a school teacher by
day and was well known on the local and regional jazz circuit by night, before
coming to New York in 1955. Was a member of Miles Davis Quintet on front line
with John Coltrane. One of the premier alto men of the era. Fronted group, with brother Nat through early
1960’s. – Somethin’ Else (1958) Blue Note
Julian "Cannonball" Adderley |
Nat
Adderley – born Tampa, FL-11/25/1931, died 1/2/2000
– cornet
Garnered attention as member of older brother
Julian’s groups. Earned famed as player and composer of jazz standards, Work Song and Jive Samba. Introducing Nat
Adderley, (1955) EmArcy
Curtis
Amy – b Houston, TX-10/11/1929; tenor, alto & soprano
sax, clarinet, flute
Early 1950’s with Dizzy Gillespie. In 1963 recorded
with the illusive trumpeter Dupree Bolton the session that became, Katanga, which has become an underground hard bop classic.
Gene
“Jug” Ammons – b. Chicago, IL 4/14/1925, d.
8/6/1975, Chicago – tenor sax
Son of Boogie-Woogie piano legend, Albert Ammons,
“Jug”, was jailed for drug offenses during much of the 1950’s, yet still
managed to star in a two-tenor group with Sonny Stitt, and also showcased his
full, round sound in his own groups. Goodbye,
(1974) Prestige
Dave
Bailey – b. 2/22/1926, drums.
Played with Gerry Mulligan, Clark Terry-Bob
Brookmeyer group and backed singer Chris Connor.
Bill
Barron – b. 3/27/1927 Philadelphia, PA, d. 9/21/1989
Middletown, CT – tenor sax
From late 1940’s, played with Red Garland, Jimmy
Heath, Cecil Taylor and Philly Joe Jones. Co-led groups with trumpeter Ted
Curson in early/ mid 1960’s. Now Hear
This (w/ Ted Curson) (1964) Audio Fidelity
Kenny
Barron – b. Philadelphia, PA 6/9/1943 – piano
Younger brother of tenor man, Bill. Played with
brother, Yusef Lateef and Philly Joe Jones in 1950’s and 1960’s. Later toured
with Stan Getz.
Walter
Bishop, Jr. – b. New York City 4/10/1927, d.
1/24/1998 NYC – piano
Played and recorded with Art Blakey, trombonist Kai
Winding. Had own groups throughout 1960’s. Speak
Low (1960) Muse
Harold
“Tina” Brooks – b. Fayetteville, North Carolina
6/7/1932, d. 8/13/1974 New York City – tenor sax
A True “Forgotten Hero of Hard Bop”, Brooks was
saddled with heroin addiction during his brief career, but left a nice body of
work as an endearing legacy. In sessions with Blue Note as sideman for Jimmy
Smith, Freddie Hubbard and Freddie Redd, or in his own Blue Note session
featuring Jackie McLean, Blue Mitchell and Kenny Drew, Brooks’ hearty, soulful
sound, featuring characteristic quotes, along with his success as a composer,
leave Brooks one of the truly forgotten heroes of hard bop. Back To The Tracks (1960) Blue Note
Harold "Tina' Brooks |
Art
Blakey – b. Pittsburg, PA 10/11/1919, d. 10/16/1990 NYC
–drums
One of the originators of hard bop. Blakey played
with Fletcher Henderson and Billy Eckstein’s Big, when it featured Dizzy
Gillespie and Sarah Vaughan. Began partnership with pianist Horace Siler in early
1950’s and soon they began recording as Jazz Messengers. Parting ways in 1956,
Blakey went on to perform with evolving incarnations of the Jazz Messengers for
40 years. (AS did Silver with his “Quintets”) Moanin’ (1958) Blue Note; Indestructible (1964) Blue Note
Art Blakey |
Walter
Booker – b. Prairie View, TX 12/17/1933 – bass
Recorded with Donald Byrd for Blue Note, Sonny
Rollins and Art Farmer during ’50-60’s. Earned BA in Psychology from Morehouse
University.
Big
Black (Danny Ray) – b. Savannah, GA, 1934 – percussion
Played and recorded with Jack Costanza in Miami in
1950’s and was regular Dizzy Gillespie band percussionist in 1960’s. Night Of The Cookers, Lee Morgan &
Freddie Hubbard (1964) Blue Note
Clifford
Brown – b. Wilmington, DE 10/30/1930, d. 6/26/1956 –
trumpet
The rising star of jazz trumpet in the mid 1950’s,
clean living Brown was a model contrary to the typical jazz musician’s live of
drugs, drinking and vice. Brown was a key figure in the birth of hard bop,
being with both Art Blakey and Max Roach in the genre’s beginning stages. His
smooth, sharp tone made him the leading force in jazz. Killed in auto accident,
along with pianist Richie Powell and Powell’s wife June 26, 1956.- Study In Brown (1955) EmArcy
Clifford Brown |
Ray Brown – b. Pittsburg,
PA 10/13/1926, d. 7/12/2002
Veteran session player and longtime Oscar Peterson
bassist. Played and recorded with Joe Pass, Jimmy Rowles and Ella Fitzgerald.
Was also married to Ella Fitzgerald.
Kenny
Burrell – b. Detroit, MI 7/31/1926 – guitar
Burrell played in local groups in the early 1950’s
with Barry Harris, Donald Byrd, Yusef Lateef and Pepper Adams. Went to New York
with Tommy Flanagan in 1956. Regular Blue Note
leader and sideman, with Stanley Turrentine, Jimmy Smith in 1950’s and
1960’s. – On View At The Five Spot Café (1959)
Blue Note; Blue Lights (1958) Blue Note
Kenny Burrell |
Donald
Byrd – b. Detroit, MI 12/9/1932, 2/4/2013 – trumpet
Part of migration of Detroit musicians to New York
in the 1950’s. Paired with fellow Detroiter Pepper Adams on many sessions.
Prolific recording stint with Blue Note from late 1950’s – 1970’s. – Byrd In Hand (1958) Blue Note
Conte
Candoli – b. Mishawaka, IN 7/12/1927, d. 12/14/2001 Palm
Desert, CA – trumpet
Played in both Woody Herman and Stan Kenton big
bands, along with his brother, trumpeter Pete Candoli. Settled in California
and was busy as a sideman and leader throughout the 1950’s. Played with Howard
Rumsey’s Lighthouse All-Stars. Was member of “The Tonight Show “ band in late
1960’s. Powerhouse Trumpet (1955)
Bethlehem
Conte Candoli |
Ron
Carter – b. Ferndale, MI 5/14/1937 – bass
Noted jazz bassist as sideman, but also as member of
the “2nd Miles Davis classic quintet, with Hancock, Shorter and
Williams. Carter recorded with Bob Brookmeyer, Eric Dolphy, Benny Golson and
Herbie Hancock in the early 1960’s. Miles
Davis, Miles In Tokyo (1964) Columbia
Paul
Laurence Dunbar Chambers b. Pittsburgh, PA 4/22/1935, d.
New York City 1/4/1969 – bass
Raised in Detroit with cousin, fellow bassist Doug
Watkins, Chambers a member of Miles Davis group from 1955-63. Left Miles with
Davis rhythm mates, pianist Wynton Kelly and drummer Jimmy Cobbs, who together
played as Wynton Kelly Trio, to become hottest rhythm section in jazz,
recording with guitarist Wes Montgomery and tenor legend Johnny Griffin. Was
also a favorite of Blue Note Records founder Alfred Lion and played on Blue
Note with Kenny Burrell, Sonny Clark, Kenny Dorham and John Coltrane’s one-off
for Lion on the 1957 classic, Blue Train. Blue
Train, (1957) Blue Note
Conrad
Yeatis “Sonny” Clark – b. Herminie, PA 7/21/1931, d.
1/13/1963, New York City – piano
Excellent hard bop pianist, Clark has yet to reach
the recognition he deserves. Though racked by heroin addiction, Clark was an
excellent sideman and leader. He played and recorded with Buddy DeFranco, Dinah
Washington, Frank Rosolino, Howard Rumsey’s Lighthouse All-Stars and Tina
Brooks. His Cool Struttin’ session is
one of the highlights of the genre. Also an excellent composer, Clark died
prematurely due to complications stemming from his addiction.- Cool Struttin’ (1958) Blue Note
Conrad Yeatis "Sonny Clark |
Kenny
(Klook) Clarke – b. Pittsburg, PA 1/9/1914, d.
1/26/1985 Paris, France – drums
Considered the father of modern jazz drumming,
Clarke was a member of the group that was involved in the birth of bebop, at
Minton’s Playhouse in Harlem, in the 1940’s with Thelonious Monk, and Dizzy
Gillespie. A founding member of the Modern Jazz Quartet(MJQ), Clarke moved to
Paris and teamed with Belgian pianist Francy Boland for many years in the
1960-70’s. Bohemia After Dark (1955) Savoy
Curtis
Counce – b. Kansas City, MO 11/23/1926, d. 7/31/1963 Los
Angeles – bass
One of first Black musicians associated with West Coast
Jazz. Lead successful hard bop group in late 1958, recording for Contemporary
Records. His quintet included Harold Land and Carl Perkins and Jack Sheldon. Sonority (1956) Contemporary
George
Coleman – b. Memphis, TN 3/8/1935 – tenor sax
Played with Phineas Newborn, Jr. and Booker Little,
in his native Memphis. During late 1950’s and early 1960’s, Coleman played with
Little, Max Roach. Toured and recorded with Miles Davis 1962-64. – Miles Davis, My Funny Valentine (1964)
Columbia
George Coleman |
Johnny
Coles – b. Trenton, New Jersey 7/13/1926, d. 12/21/1997 –
trumpet
Coles played with Eddie “Cleanhead” Vinson, James
Moody and recorded with Gil Evans. IN 1963, had leader session for Blue Note.
Also toured with Charles Mingus during this period. – Little Johnny C (1963) Blue Note
Jimmy
Cobb – b. Washington, D.C 1/20/1929 – drums
DC native Cobb played with Dinah Washington and Stan
Getz early in his career. Was drummer for Miles Davis for 5 years and was
drummer on classic Davis session, Kind Of
Blue. In 1963, along with
pianist Wynton Kelly and bassist Paul Chambers, the trio left the Davis group
and formed Wynton Kelly Trio, at the time possibly, the top rhythm section in
jazz. - Wes Montgomery, Smokin’ At The
Half Note (1965) Verve ;Joe Henderson, Straight No Chaser (1968) Verve
Herman
“Junior” Cook – b. Pensacola, FL 7/22/1934, d.
2/3/1992 New York City
Was tenor man in Horace Silvers’ “classic’ quintet
from 1958-64; recorded with Blue Mitchell and own leader session. - Junior’s
Cookin’ (1961) Jazzland
Herman "Junior" Cook |
John
Coltrane – b. Hamlet, North Carolina 9/23/1926, d.
7/17/1967 – tenor and soprano sax
In some minds, Coltrane is greatest tenor ever. His
musical style were ever evolving, yet his fierce, muscular, masculine sound
never changed. “Trane” Played R’n’ B with Earl Bostic and also played with
Johnny Hodges and Joe Webb early on. Gained earliest fame as member of Miles
Davis’ first “classic quintet” and on front line with Cannonball Adderley with
Miles during Kind of Blue period. Along with pianist McCoy Tyner, bassist Jimmy
Garrison and drummer Elvin Jones formed his own “classic quartet”, that was
together for over 5 years. “A Love Supreme” is this group’s signature tune. – Blue Train (1957) Blue Note; Black Pearls
(1958) Prestige; John Coltrane and Johnny Hartman (1963) Impulse; A Love
Supreme (1964) Impulse
James
Clay – b. Dallas, TX 9/8/1935, d. 1/1/1994 –tenor sax,
flute
A Texas associate of Ornette Coleman, Clay made his
recording debut on a session led by drummer Lawrence Marable, Tenorman, which featured Sonny Clark on
piano. Recorded with Red Mitchell and Lorraine Geller in late 1050’s in
California. – A Double Dose of Soul
(1960) Riverside
Jimmy
Cleveland – b. Wartrace, TN 5/31/1926, d. 8/23/2008 – trombone
Cleveland played in New York with Cannonball
Adderley, Lionel Hampton and Clark Terry and recorded with Miles, Donald Byrd
& Gigi Gryce and Gil Evans. Recorded five leader sessions for EmArcy. - Jimmy
Cleveland & His All-Stars (1955) EmArcy
William
“Sonny” Criss – b. Memphis, TN 10/23/1927, d.
10/19/1977 – alto sax
Criss performed on Los Angeles’s famous Central
Avenue in the 1940’s. Performed with Howard McGhee in Los Angeles. Recorded
with Buddy Rich, Stan Kenton and own groups. – Portrait of Sonny Criss (1967) Prestige
William "Sonny" Criss |
Bob
Cranshaw – b. Evanston, IL 12/10/1923 – bass
Cranshaw recorded as sideman on Blue Note for Lee
Morgan, Donald Byrd, Horace Silver Joe Henderson and Grant Green. Still active
today. Grant Green, Solid (1964 Blue
Note); Grant Green, Idle Moments (1964) Blue Note
Ted
Curson – b. Philadelphia, PA 6/3/1935, d. 11/4/2012 –
trumpet
Student of Jimmy Heath in Philadelphia. Recorded
with Charles Mingus and co-led group with tenor saxophonist Bill Barron. Very
good advanced hard bop player. – Fire
Down Below (1962) Prestige
Ronnie
Cuber – b. New York City, 12/25/1941 – baritone sax
Cuber was member of Newport Jazz Festival Youth Band
in 1959, Played with Slide Hampton, Woody Herman and Maynard Ferguson bands.
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